At The Point, my third essay talking about “genre” short stories is out. (Previously: C.L. Moore, Fritz Leiber.) This time it’s “Mother of Cloth, Heart of Clock,” by Craig Strete, a story written from the perspective of a doomed lab animal:
The most widespread and ancient relationship between humans and the other animals, though, is the rejection of identification. The animal is no longer our neighbor in a shared world but a substance: meat to eat, skin to wear—and, more recently, a tool for scientific investigation. We may ask ourselves how the animals feel about it, or try to minimize their suffering, but our knowledge that they aren’t fans and would prefer not to be treated this way doesn’t really affect our decision to continue experimenting on them. It’s not as if we think they’re enjoying themselves. We’re animals too, after all, and we can tell. As the narrator of Craig Strete’s story “Mother of Cloth, Heart of Clock” comments: “I care about them going to kill me. Wouldn’t anyon…


